The Spectrum Of Human Nature Essay - 1639 Words

Blair Hu Dr. Madon Literary Explorations III 25 October 2016 The Spectrum of Human Nature Iago, the main villain of William Shakespeare’s Othello, is a manipulative mastermind, able to weave an intricate web of lies that eventually leads to the death of the namesake of the play, Othello. Iago provides a multitude of rationales which explain his motivations for his deeds through sprawling soliloquies, such as the suspicion that Othello might be sleeping with his wife, Emilia, or that Othello denies him a promotion, instead giving it to the inexperienced Michael Cassio. Although, initially, these motivations explicitly stated by Iago sound credible, they ultimately crumble as the audience learns more about both the plot and the characters. Furthermore, by providing such a diverse range of feeble justifications, the audience of Othello is able to conclude that a deeper, unstated force fuels Iago’s hatred for Othello. Readers today have attempted to interpret this unstated force with a modern twist: that Iago’s hatred stems from his homosexual lust for Ot hello. However, these interpretations are loosely supported by textual evidence, which are then often quoted out of context . By establishing that both the reasons Iago himself provides and modern explanations to explains his decisions are lackluster, this leaves the audience with one supportable rationale remaining: that Iago has no motive for his actions. Additionally, by assigning a human character with such an unexplainableShow MoreRelatedThe View Of The Utopian Vision902 Words   |  4 Pagesof the entire political spectrum. The Tragic Vision, on the other hand, has the ability to coexist with the entire political spectrum. This is due to the fact that Tragic Vision has flexibility and it allows for learning well as growth in human nature. Despite the fact that humans for the most part are selfish we have an ability to learn from our mistakes and grow from them and in this way the Tragic View encompasses the ideologies of both sides of the political spectrum. People from a left-wingRead MoreNature And Nature Of Nature947 Words   |  4 Pagessociety there was always one constant in their life—nature. Nature was a creative force that contained the ability to either kill them or keep them alive with no preference for the human’s opinion. As humankind formed society and began to exert their own force against nature, and nature became â€Å"a social creation as much as it is the physical universe† (TB 107) as this balance of power shifted unknowingly into the hands of humans. With this ability nature began to become a haven that people could escapeRead MoreThe Four Paradigms Of The Four Major Paradigms Of Psychology968 Words   |  4 Pagestheories will be discussed thoroughly and efficiently. Each of the theories was placed on a spectrum that measured whether they were more influenced by heredity or environment. Some, as many can see, can fit into both sides of the spectrum. There are many factors that are invo lved in the process, and each are important variables in personality and the evolution of humanity. Four Paradigms of Psychology NATURE-Psycho-analytic/dynamic-Social-Cognitive-Behavioral-Humanism-NURTURE Psycho-analytic/dynamicRead MoreThe Theory Of Light And Its Effects On The Human Eyes963 Words   |  4 PagesLight, a concept that has been worked with for many years dating back to 500 B.C. Pythagoras hypothesized that humans perceive light due to the human eyes ability to emit rays upon the environment and the emittance gives a human his or her sight (Sekuler). Afterward, human intellectuals started making it more concise to present day knowledge of light. This development of light came from two intellectuals named Christian Huygens and Isaac Newton. Newton exclaimed during the 1700s that light was aRead MoreThe And Divine Nature Of The Bible1393 Words   |  6 Pagesdesired to communicate to us.† (Created for Community, 1998, p 166) This paper will examine the orthodox view on the human and divine nature of the Bible, the Holy Spirit’s role in the inspiration and illumination, and the ultimate goal of the Bible. This paper will also discuss the two arguments known as the inerrantist and infallibilist views. â€Å"Some in the movement saw the Bible as a human book that was to be studied using methods common to the study of any other literature, while others continued toRead MoreHow A 2d Framework Of Mind Perception899 Words   |  4 Pagesfeelings), with three subclinical syndromes: autism-spectrum disorder, schizotypy, and psychopathy. By reviewing current literatures, a distinct profile of under- and overperception of agency and/or experience was speculated for each syndrome. Specifically, Gray et al. hypothesized that people high in autism spectrum would be characterized by underperception of agency in adult human, people high in schizotypy would overperceive mind in non-human targets, and people with psychopathic tendencies wouldRead MoreHumans Nature - Good or Bad? Essay1132 Words   |  5 PagesHuman Nature Good or Bad? Whether human beings are instinctually good or evil in an elementary natural state is a question that has been boggling the minds of even the greatest philosophers. There is a spectrum of theories that support both good and evil within the human race, each with valid points that explains the range of our interests, being either for ourselves or for others. However, my personal stance is the sensible theory of Altruism. Past experiences and observations allow me toRead MoreLife And Nature Are Very Similar. Both Are Complex, Yet1124 Words   |  5 PagesLife and nature are very similar. Both are complex, yet simple, both are beautiful, and both are all around, yet cannot be created artificially. The constitution of both is often explored in different forms of art, such as poetry. In her poem, â€Å"Nature† Is What We See, Emily Dickinson uses personification, imagery, contrast, and an extensive use of dashes to convey the theme of nature’s dangerous beauty and incredibl e simplicity, as well as its extreme complexity and the completeness of its unattainabilityRead MoreVoltaire s Candide : A Satirical Work Wrought With Black Humor And Caricature Like Characters Essay1727 Words   |  7 Pagesphilosophies which each in their own way attempt to confront and remedy this existential conflict. He frames these characters’ worldviews in such a way as to create a philosophical spectrum with optimism and pessimism being at opposite extremes amongst other worldviews, such as meliorism and quietism, within the spectrum. The brand of philosophical optimism depicted and mocked in Candide was popularized by Gottfried Wilhelm Leibniz, a German mathematician and philosopher(CITE). Leibniz s versionRead MoreThe Sublime Is Defined By Edmund Burke, Arthur Schopenhauer, And Immanuel Kant973 Words   |  4 Pagesobject in accordance with reason’s demand for â€Å"absolute totality.† Instances of the mathematically sublime include towering skyscrapers, expansive mountain ranges, and the vastness of the ocean. The dynamically sublime appears when we experience nature as fearful, even though we might be in a position of safety and therefore have no reason to be afraid. The realization of nature’s power makes us, â€Å"as natural beings, recognize our physical powerless.† Instances of the dynamically sublime include

Western Ideology of Orientalism in John Luther Long’s play...

Outline I. Introduction Topic sentence: II. Madame Butterfly The Western ideology of the Eastern exoticism and docility originates from the long historical context of imperialism and political tensions between the West and the East. Domestic struggles caused by political strife and war in the East, such as the Philippines during the American-Spanish War and China during the Opium Wars, created an opportunity for the West to infiltrate the destabilized Eastern countries. This access allowed the West to exercise a form of supremacy over Asia, as the East was seen as powerless and incapable of self-governance. Thus, considering themselves as racially and politically superior, the West adopted a â€Å"White Man’s Burden† mentality; it is the duty of the Western men to dominate the East and civilize the â€Å"uneducated† and â€Å"old-fashioned† Orientals. This historical framework would eventually construct the Oriental stereotype of the â€Å"Lotus Blossom† and the Oriental â€Å"Butterflyà ¢â‚¬ . As portrayed by the delicate and docile character, Hana-Ogi, in the film Sayonara (1957), the â€Å"Lotus Blossom† depicts an Oriental woman who is quiet, modest, and always submissive to her man. Writer Sui Seen further emphasizes this stereotypical figure in her description of Chinese merchant wives: â€Å"She has a true affection for her husband [†¦] She loves him because she has been given to him to be his wife. No question of â€Å"woman’s rights’ perplexes her. She takes no responsibility upon herself and wishesShow MoreRelatedThe Oriental And Gender Stereotype1230 Words   |  5 Pagesindy Coronado March 2, 15 HILD 7B A10923676 TA: Josh Newton 1:00-1:50 The Oriental and Gender Stereotype M.Butterfly, an opera by David Huang, is recognized as a reexamination of John Luther Long’s Madame Butterfly. During the beginning of the 20th century, Asian and Asian Americans were often perceived to a collective stereotype. Well-defined differences between the American Westerner and the Oriental are undermined in both of these readings as â€Å"the west† is seen as the more masculine region and

Printing Free Essays

In the 1430’s a man named Johann Gutenberg created the predecessor to the modern printing press. The level of importance of the printing press is rivaled by few other inventions, so much so that â€Å"the invention of the printing press† is often used as a reference to the social, political, and scientific change experienced by Europe after the press’s introduction. (Wikipedia). We will write a custom essay sample on Printing or any similar topic only for you Order Now Johannes Gutenberg invented a mechanical way of making books. This was the first example of mass book production. Before the invention of printing, multiple copies of a manuscript had to be made by hand, a laborious task that could take many years. Later books were produced by and for the church using the process of wood engraving. This required the craftsman to cut away the background, leaving the area to be printed raised. This process applied to both text and illustrations was extremely time consuming. When a page was complete, often by joining several blocks together, it would be inked and a sheet of paper was then pressed over it far an imprint. The susceptibility of wood to the elements gave such blocks a limited lifespan. When Johannes Gutenberg began building his press in 1436, he was unlikely to have realized that he was giving birth to an art form which would take center stage in the social and industrial revolutions which followed. The most important aspect of his invention was that it was the first form of printing to use movable type. His initial efforts enabled him in 1440 to mass-produce indulgences – printed slips of paper sold by the Catholic Church to remit temporal punishments in purgatory for sins committed in this life, for those wealthy enough to afford indulgences. Gutenberg’s invention spread rapidly after his death in 1468. It met in general with a ready, and as enthusiastic reception in the centers of culture. The names of more than 1000 printers, mostly of German origin, have come down to us from the fifteenth century. In Italy we find well over 100 German printers, in France 30, in Spain 26. Many of the earliest printers outside of Germany had learned their art in Mainz Gutenberg’s Home and where they were know as â€Å"goldsmiths†. Among those who were undeniably pupils of Gutenberg, and who probably were also assistants in the Guttenberg printing ouse. The new printing presses had spread like brushfire through Europe. By 1499 print-houses had become established in more than 2500 cities in Europe. Fifteen million books had been flung into a world where scholars would travel miles to visit a library stocked with twenty hand-written volumes. Scholars argue about the number. It could’ve been as few as eight million or as many as twenty four million all within 50 years of the printing presses invention. But the output of new books had been staggering by any reasonable estimate. The people had suddenly come into possession of some thirty thousand new book titles. While the Gutenberg press was much more efficient than manual copying, the industrial Revolution and the introduction of the steam powered rotary press allowed thousands of copies of a page in a single day. Mass production of printed works flourished after the transition to rolled paper, as continuous feed allowed the presses to run at a much faster pace. Gutenberg’s invention did not make him rich, but it laid the foundation for the commercial mass production of books. The success of printing meant that books soon became cheaper, and ever wider parts of the population could afford them. More than ever before, it enabled people to follow debates and take part in discussion of matters that concerned them. As a consequence, the printed book also led to more stringent attempts at censorship. This was a sign that it was felt by those in authority to be dangerous and challenging to their position. The spread of literacy and the development of universities meant that by the 15th century, despite an assembly line approach to the production of books, supply was no longer able to meet demand. As a result there was widespread interest in finding an alternative means of producing books. Before books could be mass produced, several developments were necessary. A ready supply of suitable material that could be printed on was required. Manuscript books were written on Vellum and this material was used for some early printed books, but vellum was expensive and not available in sufficient quantity for the mass production of books. The introduction of the technique of making paper and the subsequent development of a European apermaking industry was a necessary condition for the widespread adoption of print technology. Although a number of people had previously attempted to make metal type or had experimented with individual woodcut letters, it was not until a technique was devised for producing metal type in large quantities at a reasonable cost. This involved the design of a type-face and the production of molds used for making the individual pieces of type as well as the development of an alloy that was soft enough to cast yet hard enough to use for printing. It was also necessary to develop suitable inks for printing with the new type. The water-based inks used for hand lettering and for block printing will not stick to metal type; therefore a viscous oil based ink was required. Finally, a press was needed for transferring the image from type to paper. Precedents existed in the presses used for making wine, cheese and paper and one of Johannes Gutenberg’s innovations was to adapt these presses for the printing process. An operator worked a lever to increase and decrease the pressure of the block against the paper. The invention of the printing press, in turn, set off a revolution that is still in progress today. Look around wherever you are, and you’ll likely find plenty of printed material, from business cards to brochures to books. Printing words and images on paper may seem like one of the more environmentally benign things that printing does, but that isn’t necessarily the case. If you examine the life cycle of printed matter – from turning trees into paper through the witch’s brew of chemicals involved — professional printing takes on a decidedly non-green hue. Typically, the process involves a variety of inks, solvents, acids, resins, lacquers, dyes, driers, extenders, modifiers, varnishes, shellacs, and other solutions. Only a few of these ingredients end up directly on the printed page. Many of the ingredients are toxic: Silver, lead, chromium, cadmium, toluene, chloroform, methylene chloride, barium-based pigments, and acrylic copolymers. And that’s mot all. Chlorine bleaching of paper is linked to cancer-causing water pollutants. Waste inks and solvents are usually considered hazardous. Bindings, adhesives, foils, and plastic bags used in printing or packaging printed material can render paper unrecyclable. And you thought it was just ink on paper. Not everyone defines â€Å"green printing† the same way and there is no standard of certification for what makes a printer green. There are several things a printer can do to minimize the detrimental effects to the environment. In general, an environmentally minded printer should use the most eco-friendly papers available, reduce or eliminate toxic chemicals, waste ink, and solvents. The printer should also be willing to use soy or other vegetable inks, educate customers about how to reduce a project’s environmental impact. Green printing is on a roll, moving beyond small, do-good companies and activist groups to larger corporations and government agencies that have mandates to purchase greener goods and services. As demand for green printing has grown, so too has the number of printers offering such services. Many printers now days can recycle up to 98% of there wastes and more and more or doing just that. Life magazine called the printing press the greatest invention in the last 1000 years. How to cite Printing, Essay examples

Perception in the Arts Essay Example For Students

Perception in the Arts Essay These questions Will be explored using one all-purpose example in the arts: El Grocers dramatic and expressionistic artworks. Firstly, perception is not universal in terms of time, as very evident with El Grocers works. Virtually all of El Grocers paintings were disdained by his contemporary painters and the public during his lifetime, 1541-1614. His works opposed too many aspects of Baroque style, which was popular in the 17th century. El Greece, therefore, had no followers and no audience at that time: his works were noninsured to be unnatural and overly-complex. However, in the 20th century, his works greatly influenced painters, leading to the birth of expressionism and cubism. For example, Pablo Picasso and Paul Cezanne studied El Grocers structural compositions, his ability to interweave space and form, and the special effects of highlights, which were all disregarded in the 1 7th century. Also, Jackson Pollock, an expressionist, also followed El Grocers expressionistic composition. Therefore, the unnatural and overly-complex features in the 1 7th century came the dominant characteristics of the new form of Expressionism. In general, perception is indefinite, with the ability to change over time: the time that a piece of art is created and perceived influences the way it is perceived. Also, previous knowledge and experience significantly influences perception. For instance, The Burial Of the Count Of Organ, II Grocers most famous work today was presented at the Louvre in 1838. At that time, the audience knew, ahead of time, of El Grocers life, career, and works; therefore, there was much enthusiasm and attraction to the painting. Meanwhile, The Burial of the Count of Organ was also studied in art schools in the 19th century where students analyzed its composition and form. However, before the students knew the title of the artwork and its artist, they had little interest and fondness for the work. Therefore, this reveals how previous knowledge (in this case, of El Grocers life, artistic talent and tame) affects how it is perceived. Without that knowledge, The Burial of the Count of Organ could have simply been an amateurs painting, This rings up the same issue once again. Knowing that the artwork is by El Greece, one may have a positive bias to the work, hence perceiving the painting to be better than it actually is. Lastly, perception is very limited in that it is very subjective for example, we are selective in what we perceive, ignoring certain aspects while emphasizing others. Poor instance, in II Grocers II Spoilt, or The Disrobing of Christ, the oppression of Christ by his cruel tormentors is believed to be artists intentions; such studies emphasize II Greece use vertical and lateral space Of the canvas to present this idea. However, some critics say that the subject, rather, is to satirized the situation, since Christ is looking up to Heaven While his figure is segregated from the other people and the violence. Also, there is a figure in the paintings background that is pointing at Christ accusingly. Therefore, it is evident that in these various analyses, different aspects of the painting are emphasized. The real meaning of any artwork is, consequently, not known and cannot be proven n any way. No one sees all the details that another sees in an artwork, hence making it very subjective. This knowledge issue links with the question that cultural background influences the subjectivity and limitations of perception. My prior experience may cause myself to view an artwork in a certain way, and not another, For instance, since am religious, regard El Grocers El Spoilt to be a genuine presentation of the oppression tot Christ by his tormentors; I do not perceive it to be a satire of his death.